Of all my novels, Armageddon Girl took the longest to write. The version that made it out into the world was number four, that’s far more than my usual one. I’m talking about major rewrites here, not drafts and partial edits. Unusually for me, I didn’t keep those early documents but deleted huge sections and started again. Modern technology allows anyone who’s creating documents to save as many versions as they want, which is what I always do, with this one exception. So, most of this is going to come from memory.